African Representation in White Films from 1985-1997

Authors

  • Atenya Gichuki Kenyatta University

Keywords:

African representation, Hollywood film, Cultural stereotypes, Postcolonial theory

Abstract

This paper analyzes the representation of African characters in white films from 1985-1997. During this period, many Hollywood films were produced that depicted African characters in various roles. However, the question arises as to whether these representations were accurate and fair or whether they perpetuated negative stereotypes of Africans. Through a qualitative content analysis of six selected films produced between 1985-1997, this paper explored the ways in which African characters were portrayed in white films. The films were selected using purposive sampling, and it used thematic analysis to get the findings. The paper used Postcolonial theory that examines how power dynamics between colonizers and colonized people influence cultural representation, including media representation. This study examined the representation of Africans in six films: "Amistad"(1997)," "A Far Off Place"(1993)," "The Power of One"(1992)," "Sarafina!"(1992)," and "Out of Africa"(1985)." and "The Power of One". The films were analyzed through a postcolonial theoretical framework to explore power dynamics and cultural representation. The findings revealed that the portrayal of Africans in these films was mostly through a lens of victimization, perpetuating stereotypes of Africans as primitive and inferior. It is based on the understanding that colonialism is not just a historical phenomenon but also has lasting effects on contemporary societies.

Author Biography

Atenya Gichuki, Kenyatta University

Department of communication, media, film and theatre studies

References

Hines, D. A. (1998). Black cinema as political culture. University of California Press.

Howard, S. (1997). Black like who? Writing black Canada. Insomniac Press.

Kasoma, F. (2019). Cry Freedom and the South African Historical Narrative. Journal of Pan

African Studies, 12(1), 104-117.

Kidd, D. (2003). Theories of Development. Routledge.

Moriarty, E., & McLaughlin, C. (2020). Hollywood's Diversity Problem: A Cultural Studies

Perspective. Routledge.

Moyo, L., & Nel, L. (2018). Music as a Tool of Resistance in Sarafina! In Revisiting Resistance in Namibian History (pp. 87-99). Springer, Cham.

Ogunyemi, R. (2018). From "Out of Africa" to "Black Panther": The impact of Hollywood on the portrayal of Africa. Journal of African Cinemas, 10(1), 5-20.

O'Shaughnessy, H. (2015). The power of one: A white savior narrative in South African literature. Journal of African Cultural Studies, 27(1), 41-53.

Smith, S. L., & Choueiti, M. (2019). Inequality in 1,200 Popular Films: Examining Portrayals of Gender, Race/Ethnicity, LGBTQ & Disability from 2007 to 2018. USC Annenberg Inclusion Initiative.

Stam, R. (1999). Film theory: An introduction. Blackwell.

Williams, K. (2017). Hollywood's African fantasy: The representation of Africa in Hollywood's

historical films. Global Media Journal: Canadian Edition, 10(1), 1-16.

Yousuf, Z. (2016). Exoticism, cultural appropriation and misrepresentation in contemporary

African fashion. In The Globalization of African Fashion (pp. 145-156). Palgrave Macmillan, London.

Downloads

Published

2024-05-22

How to Cite

Gichuki, A. . (2024). African Representation in White Films from 1985-1997. International Journal of Scholarly Practice, 4(2), 1–10. Retrieved from https://edinburgjournals.org/journals/index.php/Internationa-Journal-of-Scholarl/article/view/277

Issue

Section

Articles